References

Art & scholarship feel the same to me. Here’s a list of things I read, saw, and thought about while making this. I’m leaving them here in case you want to read them, too.

Anderson, Elizabeth. “Feminist Epistemology: An Interpretation and a Defense.” Hypatia 10, no. 3 (August 1995): 50–84.

Barbera Altimira, Gemma. The Meaning of Space in Sign Language. Preston, Lancashire, England: Ishara Press, 2015.

Bertolino, Elisabetta. Cavarero: Resistance and the Voice of Law. Abington: Routledge, 2018.

Bray, Mary. Reviving Ophelia. New York: Ballantine Books, 1995.

Cavarero, Adriana. Tu che mi guardi, tu che mi racconti: Filosofia della narrazione. Milano: Feltrinelli, 1997.

Constable, Marianne. Just Silences: The Limits and Possibilities of Modern Law. Princeton, N.J.: Princeton University Press, 2007.

Foucault, Michel. The Archeology of Knowledge and the Discourse on Language. Translated by A.M. Sheridan Smith. New York: Vintage Books, 1972.

Lehrman, Henry, director. Between Showers, 1914.

McLuhan, Marshall, Quentin Fiore, and Jerome Agel. The Medium Is the Massage. New York: Bantam Books, 1967.

Melies, Georges, director. Cendrillon, 1899.

Nora, Pierre. “Between Memory and History: Les Lieux de Mémoire.” Representations 26 (1989): 7-24

Rovelli, Carlo. The Order of Time. New York: Riverhead Books, 2018.

Tinker v. Des Moines School Dist., 393 U.S. 503 (1969).

Tornatore, Giuseppe, director. Nuovo Cinema Paradiso, 1988.

Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston: Beacon Press, 1995.

Twelfth Night. By William Shakespeare, directed by Kwame Kwei-Armah and Oscar Eustis, The Public Theater, July 2018, Delacorte Theater, New York.

Upton, Dell. “Sound as Landscape.” Landscape Journal 25, no. 1 (2007): 24-35.

Volokh, Eugene. “The Law of Compelled Speech.” Texas Law Review 97 (2018): 355-395.